Curated and produced by the Fellows, Musicians’ Forums come alive in the New World Center’s Michael Tilson Thomas Performance Hall through musical inspiration, spontaneity and unique artistic partnerships.
Performances part of the Musicians’ Forum series are NWS BLUE projects. Fellow-driven projects are sponsored in part by the Maxine and Stuart Frankel Foundation and NWS’s Fund for New Ventures.
Tickets no longer available online.
Program
Francis Poulenc
(1899-1963)
Trio for Oboe, Bassoon and Piano, FP 43
(1926)
Presto Andante Rondo
Mark Debski, oboe Eleni Katz, bassoon Wesley Ducote, piano
Dmitri Shostakovich
(1906-1975)
Sonata for Viola and Piano, Op. 147
(1975)
II. Allegretto III. Adagio
Carolyn Farnand, viola Wesley Ducote, piano
Intermission
Richard Wagner
(1813-1883)
Transcribed by Moritz Moszkowski
Isolde's Death from Tristan and Isolde, WWV 90
(1857-59)
Noah Sonderling, piano
Maurice Ravel
(1875-1937)
Trio in A minor for Violin, Cello and Piano
(1914)
Moderate Pantoum: Rather lively Passacaglia: Very broadly Finale: Lively
Beatrice Hsieh, violin David Olson, cello Wesley Ducote, piano
Musicians of the New World Symphony
A laboratory for the way music is taught, presented and experienced, the New World Symphony consists of 87 young musicians who are granted fellowships lasting up to three years. The fellowship program offers in-depth exposure to traditional and modern repertoire, professional development training and personalized experiences working with leading guest conductors, soloists and visiting faculty.
NWS Fellows take advantage of the innovative performance facilities and state-of-the art practice and ensemble rooms of the Frank Gehry-designed New World Center, the campus of the New World Symphony and home of the Knight New Media Center.
In the hopes of joining NWS, nearly 1,000 recent music school and conservatory graduates compete for available fellowships each year. The Fellows are selected for this highly competitive, prestigious opportunity based on their musical achievement and promise, as well as their passion for the future of classical music.