Michael Tilson Thomas, conductor

Michael Tilson Thomas is Co-Founder and Artistic Director of the New World Symphony, America’s Orchestral Academy; Music Director Laureate of the San Francisco Symphony; and Conductor Laureate of the London Symphony Orchestra. In addition to these posts, he maintains an active presence guest conducting with the major orchestras of Europe and the United States.

Born in Los Angeles, Mr. Tilson Thomas is the third generation of his family to follow an artistic career. His grandparents, Boris and Bessie Thomashefsky, were founding members of the Yiddish Theater in America. His father, Ted Thomas, was a producer in the Mercury Theater Company in New York before moving to Los Angeles where he worked in films and television. His mother, Roberta Thomas, was the head of research for Columbia Pictures.

Mr. Tilson Thomas began his formal studies at the University of Southern California, where he studied piano with John Crown, and conducting and composition with Ingolf Dahl. At age 19 he was named Music Director of the Young Musicians Foundation Debut Orchestra. During this same period, he was the pianist and conductor in master classes of Gregor Piatigorsky and Jascha Heifetz and worked with Stravinsky, Boulez, Stockhausen and Copland on premieres of their compositions at Los Angeles’ Monday Evening Concerts.

In 1969, after winning the Koussevitzky Prize at Tanglewood, he was appointed Assistant Conductor of the Boston Symphony Orchestra. That year he also made his New York debut with the Boston Symphony and gained international recognition after replacing Music Director William Steinberg in mid-concert. He was later appointed Principal Guest Conductor of the Boston Symphony Orchestra where he remained until 1974. He was Music Director of the Buffalo Philharmonic from 1971 to 1979 and a Principal Guest Conductor of the Los Angeles Philharmonic from 1981 to 1985. His guest conducting includes appearances with the major orchestras of Europe and the United States.

Mr. Tilson Thomas is a two-time Carnegie Hall Perspectives artist, curating and conducting series at the hall from 2003 to 2005 and from 2018 to 2019. In the most recent series, he led Carnegie Hall’s National Youth Orchestra of the United States of America both at the hall and on tour in Asia, opened the Carnegie Hall season over two evenings with the San Francisco Symphony, conducted two programs with the Vienna Philharmonic and finished with a pair of concerts leading the New World Symphony.

A winner of eleven Grammy Awards, Mr. Tilson Thomas appears on more than 120 recordings. His discography includes The Mahler Project, a collection of the composer’s complete symphonies and works for voice and orchestra performed with the San Francisco Symphony, in addition to pioneering recordings of music by Charles Ives, Carl Ruggles, Steve Reich, John Cage, Ingolf Dahl, Morton Feldman, George Gershwin, John McLaughlin and Elvis Costello. His recordings span repertoire from Bach and Beethoven to Debussy and Stravinsky, and from Sarah Vaughan to Metallica.

His television work includes a series with the London Symphony Orchestra for BBC Television, broadcasts of the New York Philharmonic Young People’s Concerts from 1971 to 1977 and numerous productions on PBS’s Great Performances. With the San Francisco Symphony, he created a multi-tiered media project, Keeping Score, which includes a television series, web sites, and radio programs. He received a Peabody Award for his SFS Media radio series The MTT Files.

Mr. Tilson Thomas’s compositions are published by G. Schirmer. In 1991, he and the New World Symphony were presented in a series of benefit concerts for UNICEF in the United States, featuring Audrey Hepburn as narrator of his work From the Diary of Anne Frank, which was commissioned by UNICEF. This piece has since been translated and performed in many languages worldwide. In August 1995, he led the Pacific Music Festival Orchestra in the premiere of his composition Shówa/Shoáh, commemorating the 50th anniversary of the bombing of Hiroshima. His vocal music includes settings of poetry by Walt Whitman and Emily Dickinson, which were premiered by Thomas Hampson and Renée Fleming, respectively. In 2016, Yuja Wang premiered his piano piece You Come Here Often?.

Mr. Tilson Thomas' song cycle Four Preludes on Playthings of the Wind, a setting of Carl Sandburg’s poem, was premiered in 2016 by the New World Symphony, with Measha Brueggergosman as soloist. In 2019 the piece was recorded for Medici.tv at the New World Center and given its New York premiere as part of Mr. Tilson Thomas’s second Carnegie Hall Perspectives series. His first Perspectives series also featured performances of his own compositions, including Island Music for four marimbas and percussion; Notturno for solo flute and strings, featuring soloist Paula Robison; and new settings of poems by Rainer Maria Rilke. In 2020, he led the San Francisco Symphony in the world premiere of his six-part song cycle Meditations on Rilke, and he subsequently conducted the work at the Cleveland Orchestra. Additional compositions include Street Song for brass instruments; Agnegram, an overture for orchestra; and Urban Legend, a concerto for contrabassoon that was premiered by the San Francisco Symphony. In June 2020, SFS Media released an album of works composed by Mr. Tilson Thomas, featuring live concert recordings of From the Diary of Anne Frank, narrated by mezzo-soprano Isabel Leonard, and Meditations on Rilke, sung by mezzo-soprano Sasha Cooke and bass-baritone Ryan McKinny.

Mr. Tilson Thomas is an Officier de l’Ordre des Arts et des Lettres of France, is a member of the American Academy of Arts and Sciences, was Musical America’s Musician of the Year and Conductor of the Year, was Gramophone magazine’s Artist of the Year and has been profiled on CBS’s 60 Minutes and ABC’s Nightline. He has been awarded the National Medal of Arts, has been inducted into the California Hall of Fame and the American Academy of Arts and Letters, and was a 2019 recipient of the Kennedy Center Honors.

Chad Goodman, conductor

Chad Goodman serves as the Conducting Fellow of the New World Symphony and as an Assistant Conductor to the San Francisco Symphony. With a flair for inventive programming and a bold presence on stage and in the community, he has been praised for "bringing innovation to classical music" (Forbes). 

Mr. Goodman designs and presents programs which reimagine how orchestras connect with their audiences. His 2019 education program, “SPARK: How Composers Find Inspiration,” blended captivating light design and videography with engaging audience participation to explore how a composition is created and brought to life by an orchestra. In his first season as Conducting Fellow at NWS, he conducted on nearly a dozen programs and worked closely with Artistic Director Michael Tilson Thomas, sharing the podium with him on three programs.

Since 2018, Mr. Goodman has served as an Assistant Conductor to the San Francisco Symphony, assisting Esa-Pekka Salonen, Manfred Honeck, Daniel Harding, Pablo Heras-Casado, Simone Young and James Gaffigan, among others.

As Founder and Artistic Director of Elevate Ensemble, Mr. Goodman’s ambitious vision for concert programming resulted in the pairing of music from Bay Area composers with underappreciated gems of the 20th and 21st centuries. Under his leadership, Elevate Ensemble established a Composer-in-Residence program and commissioned 15 works from Bay Area composers.

Elevate collaborated with photographers, videographers, poets and culinary artists, bringing new music and vibrant multi-genre experiences to unique venues such as yoga studios, historic Victorian homes and art studio warehouses.

Mr. Goodman has previously served as Music Director of the Contra Costa Chamber Orchestra and Assistant Conductor of the Peninsula Symphony. He has been a conducting fellow for the Atlantic Music Festival, a rehearsal and cover conductor for the San Francisco Ballet, and has collaborated with composer Mason Bates on his electronica-classical music project, Mercury Soul.

In addition to his performing career, Mr. Goodman has discussed the future of live performance as a panelist at Meyer Sound Laboratories and taught young musicians the business and entrepreneurial skills needed to successfully navigate the world as a working musician in his workshop “You Just Earned a Music Degree. Now What?”

Mr. Goodman holds a bachelor of music degree from the Eastman School of Music and a master of music degree from San Francisco State University. His mentors include Michael Tilson Thomas, Alasdair Neale, Cyrus Ginwala and Martin Seggelke.

Teddy Abrams, conductor

An unusually versatile musician, Teddy Abrams is a widely acclaimed conductor, as well as an established pianist, clarinetist, and composer.  He has been named Music Director Designate of the Louisville Orchestra, and assumes the title of Music Director in September 2014.  Recently appointed Music Director and Conductor of the Britt Orchestra Season, 2014 marks his first season in that role.  Simultaneously, Teddy concludes his tenure as Assistant Conductor of the Detroit Symphony with the 2013-14 season.  Additional appointments include a tenure as Resident Conductor of the MAV Symphony Orchestra in Budapest, which he first conducted in 2011.

Active as a guest conductor, Abrams’ recent and upcoming performances include returns to The Florida Orchestra, the Jacksonville Symphony, and the San Francisco Symphony, where he conducted the orchestra’s summer classical series in July 2013.  Recent debuts have included the Los Angeles Philharmonic, Indianapolis Symphony, and the Sun Valley Summer Symphony.  From 2008 to 2011 Abrams was the Conducting Fellow and Assistant Conductor of the New World Symphony (NWS) and conducted many performances, including subscription concerts and numerous other full and chamber orchestra events.  Abrams has conducted the NWS in Miami Beach, Washington, D.C. and at Carnegie Hall, and has worked with many other orchestras around the country.

An accomplished pianist and clarinetist, Abrams has appeared as a soloist with a number of orchestras – including playing and conducting the Ravel Piano Concerto with the Jacksonville Symphony in fall 2013 – and has performed chamber music with the St. Petersburg String Quartet, Menahem Pressler, Gilbert Kalish, Time for Three and John Adams in addition to annual appearances at the Olympic Music Festival.  Dedicated to exploring new and engaging ways to communicate with a diverse range of audiences, Abrams co-founded the Sixth Floor Trio in 2008. The Trio has performed around the country, establishing residencies in communities in North Carolina, Philadelphia, New York and South Florida; Abrams and the Trio founded and direct GardenMusic, the music festival of the world-renowned Fairchild Tropical Garden in Miami. Abrams collaborated (as an arranger and pianist) with Cleveland Orchestra principal trombonist Massimo La Rosa for La Rosa’s debut CD, released in October 2010.

Abrams studied conducting with Michael Tilson Thomas, Otto-Werner Mueller and Ford Lallerstedt at the Curtis Institute of Music, and with David Zinman at the Aspen Music Festival; he was the youngest conducting student ever accepted at both institutions. Abrams is also an award-winning composer and a passionate educator – he has taught at numerous schools throughout the United States. His 2009 Education Concerts with the New World Symphony (featuring the world premiere of one of Abrams’ own orchestral works) were webcast to hundreds of schools throughout South Florida.

Abrams performed as a keyboardist with the Philadelphia Orchestra, won the 2007 Aspen Composition Contest, and was the Assistant Conductor of the YouTube Symphony at Carnegie Hall in

2009.  He has held residencies at the La Mortella music festival in Ischia, Italy and at the American Academy in Berlin.  Teddy was a proud member of the San Francisco Symphony Youth Orchestra for seven seasons, and graduated from the San Francisco Conservatory of Music with a Bachelor of Music, having studied piano with Paul Hersh.

Teddy Abrams is represented by Matthew Oberstein at Opus 3 Artists.

The Sixth Floor Trio is represented by Lisa Sapinkopf Artists.

James Gaffigan, conductor

Hailed for his natural ease and compelling musicianship, James Gaffigan is considered one of the most outstanding American conductors working today. He has attracted international attention for his prowess both as a conductor of opera and symphony orchestras.

James Gaffigan is Chief Conductor of the Luzerner Sinfonieorchester and Principal Guest Conductor of the Netherlands Radio Philharmonic Orchestra. He is also Music Director Designate of the Verbier Festival Junior Orchestra. Since becoming Chief Conductor in Lucerne nine seasons ago, he has made a significant impact on the orchestra’s profile, both at home and abroad, thanks to their successful concerts, international tours and recordings.

Gaffigan is in high demand working with leading orchestras and opera companies throughout North America, Europe and Asia. The 2020/21 season features debuts with the Paris Opera and Philharmonia Orchestra of London plus returns to the New York Philharmonic, San Francisco Symphony, St. Louis Symphony, National Symphony Orchestra in D.C. and Bayerische Staatsoper. He leads his final season as Chief Conductor in Lucerne that commences with a South American tour and culminates in an Asia tour with Rudolf Buchbinder as soloist.

Recent symphonic highlights include appearances with the London Philharmonic Orchestra, London Symphony Orchestra, Royal Concertgebouw Orchestra, Munich Philharmonic, Symphonieorchester des Bayerischen Rundfunks, Orchestre de Paris, Rotterdam Philharmonic Orchestra, Deutsches Symphonie-Orchester Berlin, Staatskapelle Dresden, Vienna Symphony, Mozarteum Orchestra Salzburg, Orchestra of the Age of Enlightenment, Tonhalle Orchester Zürich, Tokyo Metropolitan and Seoul Philharmonic.

In North America, Gaffigan works with top orchestras including the Cleveland Orchestra, Chicago Symphony, Philadelphia Orchestra, San Francisco Symphony, National Symphony Orchestra, Pittsburgh Symphony, Atlanta Symphony, Toronto Symphony, Orchestre Symphonique de Montréal and Los Angeles Philharmonic.

A regular at the Metropolitan Opera and Bayerische Staatsoper, Gaffigan is equally at home in the opera house and conducts at the Zürich Opera, Vienna Staatsoper, Staatsoper Hamburg, Dutch National Opera, Glyndebourne Festival, Lyric Opera of Chicago and Santa Fe Opera.

James Gaffigan was First Prize winner of the 2004 Sir Georg Solti International Conducting Competition. In 2009, he completed a three-year tenure as Associate Conductor of the San Francisco Symphony, a position created for him by Michael Tilson Thomas. Prior to that, he was Assistant Conductor of the Cleveland Orchestra, where he worked with Music Director Franz Welser Möst.

Passionate about music education and a product of the New York City public school system, James Gaffigan grew up in Staten Island and studied at the LaGuardia High School of Music and Art before pursuing his conducting studies.

John Wilson, piano

Hailed for his “virtuosity” (Miami Herald), “elegance and energy” (Classical Miami Magazine), “inventiveness” (San Diego Tribune) and described as a “marvelous, musical mad scientist” (Music Critics Association of North America), American pianist John Wilson performs equally brilliantly as a solo recitalist, chamber musician and orchestral pianist. Mr. Wilson recently performed the solo pianoforte part to Stravinsky’s Petrushka for the San Francisco Symphony’s 2018 Carnegie Hall tour, under the direction of Michael Tilson Thomas. His playing was subsequently described as “brilliant” by Classical Voice.

Mr. Wilson has performed extensively in North America, South America and Europe, in recital halls such as the Weill Recital Hall at Carnegie Hall, Merkin Hall at the Kaufman Center and at The American Academy of Arts and Letters. As a soloist he has performed with the New World Symphony, Napa Valley Symphony and both the New Amsterdam Symphony and Camerata Notturna in New York City. A top prize winner in international piano competitions, he most recently won the prize for the “Best Performance of an American Work” at the 2017 Liszt-Garrison International Piano Competition.

An avid chamber musician, Mr. Wilson has appeared in chamber ensembles with violin soloist Anthony Marwood, musicians of the San Francisco Symphony, Orchestre Symphonique de Montréal and San Diego Symphony. He has performed in duo recitals with violinist Joshua Bell numerous times, cellist Johannes Moser, and collaborated with soprano Audra McDonald and David Foster.